{"id":1228,"date":"2024-10-12T08:02:28","date_gmt":"2024-10-12T08:02:28","guid":{"rendered":"https:\/\/galyarabok.drk.hu\/?page_id=1228"},"modified":"2026-01-31T13:17:34","modified_gmt":"2026-01-31T13:17:34","slug":"muveszi-interpretaciok","status":"publish","type":"page","link":"https:\/\/galyarabok.drk.hu\/gb\/muveszi-interpretaciok\/","title":{"rendered":"Artistic interpretations"},"content":{"rendered":"\n<ul class=\"wp-block-list\">\n<li><strong>real witness and story<\/strong><br><br>Georgius de Hungaria: <em>Tractatus de moribus, condicionibus et nequitia Turcorum<\/em>, 1481, short story \u2013 translated into German by Luther<br><br>Ferenc F\u00f3ris <a href=\"https:\/\/galyarabok.drk.hu\/gb\/otrokocsi-foris-ferenc\/\" data-internallinksmanager029f6b8e52c=\"138\" title=\"Otrokocsi F\u00f3ris Ferenc\">Otrokocsi<\/a>: <em>Furor bestiae<\/em>, manuscript \u2013 translated into Dutch and excerpted by A. van Poot, Naauwkeurig verhaal (1684) \u2013 Hungarian ref. galley slave<br><br>B\u00e1lint Cserg\u0151 Kocsi \u2013Istv\u00e1n <a href=\"https:\/\/galyarabok.drk.hu\/gb\/harsanyi-moricz-istvan\/\" data-internallinksmanager029f6b8e52c=\"43\" title=\"Hars\u00e1nyi M\u00f3ricz Istv\u00e1n\">Hars\u00e1nyi<\/a>: <em>Narratio brevis<\/em>, manuscript \u2013 translated into Hungarian by P\u00e9ter Bod (1738) \u2013 Hungarian ref. galley slave<br><br>Jean Marteilhe: <em>M\u00e9moires d\u2019un Protestant, condamn\u00e9 aux gal\u00e8res de France pour cause de religion<\/em>, 1757, short story<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>fictional story<\/strong><br><br>Cervantes: <em>Don Quijote de la Mancha<\/em>, 1605\u20131615, novel, chapter 22<br><br>A. Dumas Sr.: <em>The Imposter<\/em>, 1835, novel \u2013 based on the life story of a real-life galley slave, Gabriel Lambert<br><br>V. Hugo: <em>The Last Day of a Condemned Man<\/em>, 1829, long short story \u2013 opera, directed by R. Alagna<br><br>V. Hugo: <em>Les Mis\u00e9rables<\/em>, 1862, novel \u2013 film (1909), musical (1987)<br><br>Mih\u00e1ly Tompa: <em>A g\u00e1lyarab foh\u00e1sza<\/em> (The Galley Slave&#8217;s Invocation) (1865), poem \u2013 https:\/\/mek.oszk.hu\/01100\/01101\/html\/02.htm#281<br><br>M\u00f3r J\u00f3kai: <em>Az aranyember<\/em> (The Golden Man), 1872, novel \u2013 the galley slavery is part of the story of a supporting character the cheat T\u00f3dor Kriszty\u00e1n<br><br>Lew Wallace: <em>Ben-Hur<\/em> (Ben Hur, a Tale of a Christ), 1880, novel \u2013 film, directed by W. Wyler (1959)<br><br>Zsolt Hars\u00e1nyi: <em>Kar\u00e1csony a g\u00e1ly\u00e1n<\/em> (Christmas on the Galley), novella \u2013 https:\/\/mek.oszk.hu\/14500\/14546\/14546.htm; most recently: Ideje van az olvas\u00e1snak. A reform\u00e1ci\u00f3 \u00f6t \u00e9vsz\u00e1zad\u00e1nak novell\u00e1ib\u00f3l (It&#8217;s Time to Read. From the Novellas of the Five Centuries of the Reformation) (K\u00e1lvin, 2017)<br><br>Ferenc M\u00f3ra: [<em>K\u00e9t g\u00e1lyarab<\/em>\u2026] [Two galley slaves\u2026], 1903, poem \u2013 https:\/\/felegyhazikozlony.eu\/hirek\/23384\/akkor-lehet-igazan-az-en-asszonyom-ha-mase-lesz<br><br>Lajos Haraszthy: <em>A g\u00e1lyarab<\/em> (The galley slave), 1911, poem \u2013 http:\/\/misc.bibl.u-szeged.hu\/1092\/1\/kultura_002_007_384.pdf<br><br>Olga Farkas: <em>G\u00e1lyarab<\/em> (The galley slave), 1923, poems<br><br>Gy\u00f6rgy Moldova: <em>A negyven pr\u00e9dik\u00e1tor<\/em> (The forty preachers) (1973), novel \u2013 https:\/\/konyvtar.dia.hu\/html\/muvek\/MOLDOVA\/moldova00070_kv.html<br><br>L\u00e1szl\u00f3 T. N\u00e9meth: <em>G\u00e1lyarabok a huszadik sz\u00e1zadb\u00f3l: Besz\u00e9lget\u00e9s Papp Vilmossal<\/em> (Galley Slaves from the Twentieth Century: Conversation with Vilmos Papp), Reform\u00e1tusok Lapja, 53(2009), 8.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-1228","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["hu","gb"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"gb":{"title":true,"content":true,"excerpt":false}}},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Artistic interpretations<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galyarabok.drk.hu\/muveszi-interpretaciok\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Artistic interpretations\" \/>\n<meta property=\"og:url\" content=\"https:\/\/galyarabok.drk.hu\/muveszi-interpretaciok\/\" \/>\n<meta property=\"og:site_name\" content=\"Galley slave memorial road\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61567825314709\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-31T13:17:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/galyarabok.drk.hu\/wp-content\/uploads\/2021\/02\/cropped-galya-kor-arny-vilagos-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"512\" \/>\n\t<meta property=\"og:image:height\" content=\"512\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/galyarabok.drk.hu\/muveszi-interpretaciok\/\",\"url\":\"https:\/\/galyarabok.drk.hu\/muveszi-interpretaciok\/\",\"name\":\"Artistic interpretations\",\"isPartOf\":{\"@id\":\"https:\/\/galyarabok.drk.hu\/#website\"},\"datePublished\":\"2024-10-12T08:02:28+00:00\",\"dateModified\":\"2026-01-31T13:17:34+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/galyarabok.drk.hu\/muveszi-interpretaciok\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/galyarabok.drk.hu\/muveszi-interpretaciok\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/galyarabok.drk.hu\/muveszi-interpretaciok\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Kezd\u0151lap\",\"item\":\"https:\/\/galyarabok.drk.hu\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"M\u0171v\u00e9szi interpret\u00e1ci\u00f3k\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/galyarabok.drk.hu\/#website\",\"url\":\"https:\/\/galyarabok.drk.hu\/\",\"name\":\"G\u00e1lyarab-eml\u00e9k\u00fat\",\"description\":\"The remembrance of the Hungarian protestant galley slaves. 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